dubsided continue to release bass heavy electro house, and we welcome the follow up ep to sticky ks previous dubsided release. california ep is a wonky 4 tracker stacked with all the right elements and surprising hooks. check out the mad vocal drops in 4 minutes into california, cheeky and a little barmy.

what a start into 2010. tokyos mega house hero satoshi tomiie is making his debut on stir15 with big time support from keepers of the house motorcitysoul. originally planned for digital release only on new york based saw recordings satoshi, hector and the motorcitysoul guys decided to license the original & remixes also to c rocks stir15 outlet to keep vinyl alive and all vinyl djs and lovers in the loop! the music speaks for itself. fat house with oldskool elements but not sounding anachronistic at all. even more, all four mixes made big waves already at green&blue festival and at cocoon london / matter with massive feedback! a sure shot for all house and techhouse heads and a very welcome relief from the current nonpersonal toolhouse releases out there. keep vinyl alive - we take you back to basics!

the ep kicks off with the title track >we rock non-stop<. tight kick drums layered with pitched 808 subs set the basis of the track. chopped up machine and voice samples are then layered with smooth pads and delays to complete the track. the second track of the ep >solvent abuse< sees sync 24 sticking to his dark roots. distorted vocals, haunting pads, trippy sequences and dirty bass combined with rolling beats and subs!
the reverse side of the 12 inch is slightly deeper, techy affair. >chosen module< is a spacious wash of delays and pads mixed with robotic bass and crisp round beats. the final track >marios mushroom< carries on the spaced out trippy theme of the side with more spooky pads, bubbly bass lines and hypnotic rhythms.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

body electric has been in very high demand for years. steen gjerulff made this obscure gemm back in 1984, it was only released on limited 7inch. collectors and music lovers has been diggin after this fantastic release for years. now moustache records proudly presents this masterpeice on 12inch for the first time ever. flemming dalum teamed up with steen gjerulff and made this project come true - even with brand new special extended versions. now feel the magic electronic! this power release also contains the ultra rare 5595 track, an out of this world and time futuristic cosmic electro gemm that rocks your socks off for sure... modern space dope sound on top non stop. limited, full colour sleeve and cutted by the only cutter ome lex in this world that still cuts totally analog...

remutes definition of hit-house! incl. snuff crew rmx (gigolo, playhouse) taken from the forthcomingremute-album >the orgy<! watch out

support: hell, ordle meikle (slam), joris voorn, michel cleis, brendon moeller, ed davenport,milton jackson, chris lattner, d julz!! frenchmen alexkid and rodriguez jnr, both respected producers in their own right, have collaborated on a new release for nrk, out this week on 12inch vinyl.

after a sell out tour, chart bothering hits and general world domination, deadmau5 returns home to mau5trap with the ubiquitous anthem that is strobe.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

the brazilian hard techno tribe returns! full on brazil to rock the house hard! brilliant style for the big rooms out there! raw!

incl. julien chaptal & afrilounge following the success of last years >cantona kung fu<, tsuba label boss steps out front with the energetic bass heavy workout of >oh yeah<. julien chaptal delivers one of his finest mixes to date with jazzy keys and live double bass whilst on the aa side afrilounge threaten to steal the show with a peak time percussive roller. as tsuba founder kevin has steered the label to be one of the most respected and consistent uk imprints (the 2nd most charted uk label on ra following rekids). recent label events include tsuba showcases at fabric in london and watergate in berlin with more events planned throughout 2010. the recent collaboration with okain has become one of the four:twenty labels best sellers and a new project with justin drake is to be released over the coming months.

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

minimal wave: both a genre of underground diy electronic music from north america and europe in the late 1970s and 80s, and the name of the label devoted to unearthing these recordings. the minimal wave tapes is the first official anthology of minimal wave music from this label. most of the songs were originally released on limited edition cassettes or vinyl by the artists themselves, and only a handful of people knew about them. they ve been remastered from their analog source tapes and compiled here by minimal waves veronica vasicka and stones throws peanut butter wolf.

ending the brief hiatus that followed the >great lengths< lp and accompanying world tour martyn and 3024 usher in the new decade with a brace of remixes from the deepest recesses of the quasi-house community. first out the gates is 3024-006, helmed by a pair of artists as unique as they are elusive, zomby and redshape.

argys edit of manuel göttschings >sunrain< finally out on vinyl only and officially approved by the original master composer himself. three more mysterious cuts included, ranging from deep spiritual percussive house to disco and detroit. limited edition of only 500 copies.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

although they formed in oakland, ca, in 2002, the saviours are a deliberate throwback to an earlier time and place, specifically great britain in the late 70s and early 80s. deeply inspired by the new wave of british heavy metal as well as first generation thrashers like slayer and early metallica, the saviours formed out of the ashes of a minor east bay thrash and screamo band named after the excellently monikered actor yaphet kotto...

>fall into me< finally marks the release of the last and keenly awaited single from jay haze aka fuckponys masterpiece >let the love flow<. the album title says it all - >fall into me< sounds incredibly light, yet catchy and full of energy - a free fall onto the worlds softest pillow. this is how house must sound to lovers. house with soul can be taken literally in this case, as jay has called upon the expert support of laila tov and chela simone. the latterenjoys an international standing and has already lent her sublime, very unique voice to kikis hit single >good voodoo<. here she combines inextricably with jays compact sound aesthetic and makes >fall into me< positively shine.with its atmospheric intro and broad musical range, the original on the a-side sees a welcome reappearance of certain must-have features which will have the hairs on your neck standing up... the accompanying video was shotby emmy nominee daniel michael gahr with chela simone and laila tov in the woods of san francisco.
marco passarani has done the honours on the flip side. a workaholic from the eternal city of rome, marco is the linchpin of the italian techno scene. he produces under the aliases js pool, monomorph and ambit 3 for the labels skam, hymen, clone and peacefrog, and also runs his own labels plasmek, pigna and nature records marcos >fall into me< remix is unmistakably influenced by hiscarefully nurtured detroit roots. however, he employs these stylistic elements very discreetly, retains beats, melody and vocals in his arrangement, takes out a little of the decorative padding from the album, then finally hits us with a wonderful, trancey eight-tone sequence to send us into the realm of dancefloor dreams for ever.

document, pt. 1 is the first in a series of 12 inch s highlighting the established and new breed of talented artists from the spectral sound roster. a cd version compiling these producers with exclusive content will also be out in the spring. this 12 inch is all about the funky grooves build inside the high-quality production and includes tracks by seth troxler feat. matthew dear, ryan crosson and lee curtis as well as a martinez remix

plastic rules is steadily moving towards the future with high quality minimal techno releases. 004 was a firm step in the right direct featuring the amazing >someone else<.
now its time for martin woerner (paso music, inclusion) and he delivers another beautiful piece of vinyl for the djs out there. this upcoming is hot and the highlight so far is his track featuring on the cocoon mix cd by dubfire and locodice.
on the flip we have a piemont (my best friend) remix. these guys are hot with remixes already under there belt for trapez, kontor, ministry of sound and many many more..

the spanish connection shows their funky skills on this new hot record. hear the caribbean bras bands march through the streets carnival style on the a-side. fer br pulls all his drummers out of the closet and marches till dawn. on the flip tribal all the way with the luky r.d.u. & peppelino!! hot hot hot!

sometimes a label like syndikaat gets many demos from upcoming artists and sometimes suddenly something stands out so much it just must be signed! barnum & bailey are the new guys and they send us a slammer. very cool uplifting minimal style that just works so easily always. synth driven beats with a pumping bassline. its just like that, listen and let the music take you away.

next smasher from danjel esperanza on his own imprint meleon. check it out!
early played by:
patrick lindsey, paco osuna, bukkador & fishbeck, oscar, haito, ron flatter, sebastian roya, blood & tears, wehbba ...

dj support from: brodinski (turbo), riva starr (made to play), style of eye (pickadoll), zombie disco squad (dirty bird/made to play), teki latex & dj orgasmic (ttc/sound pellegrino), schlachthof bronx (disko b), radioclit (mental groove), douster (zzk), marina (ex-bonde do role), daniel haaksman (man recordings), beni (kitsune), bang gang deejays (modular), trg (tempa), savage skulls (dubsided), top billin (top billin), joyce muniz (man recordings), adam sky (exploited), kissy sell out (bbc radio 1), pathaan (bbc radio1), mixhell (new judas/boys noize), round table knights (deadfish), breakbot (ed banger), malente (exploited/fools gold), kalbata (soul jazz), matt walsh (turbo), john digweed (bbc radio1), lorcan mak, larry tee, ben mono

2017 repress, with jamie and i being die hard fans of prince, i knew that once we sat down to work on this >prince-like< vocal track, the outcome might turn out epic… and it did! >nasty things< became an instant anthem for our dj sets. two takes on the talking heads on the reverse to round it all out

decks tip: track b2 !!!! superb 3 track ep with amazing fresh sounding dubby / spaced out cuts...

uk flavs from teft with mixes from qualifide

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

fergie and excentric kicking off the year with ragaroo, a tense builder, winding things up to an uncontrollable level with a mixture of rising and just plain strange sounds, with the usual high production standards that you expect from a fergie track. on remix duties is jus phil (monu digital), who returns to the excentric after his shuffling and bass heavy remix of fergie - break-out from earlier in the year. his take introduces a low slung yet bouncy groove, hooking listeners in before using the weird craggy effects of the original to really take things to a new level of twistedness

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

dug up from the crypts this one is set to explode. todd terry esque synth stabs over top of some larry levan flavored beats. all the accapella pieces are included and on the flip joeski gets to work and brings this retro house jam to the forfront. with a simple bassline and some dubbed out effects on top and a harder kick...

the voyage continues. after dropping his debut album voyage direct, tom trago now drops two favorites from his live set. side a is an extended disco version of use me, morphing in to and out of the original like butter. clocking over 8 minutes use me again becomes somewhat a modern take on the original disco version. its got enough drive to make a dance floor go crazy. side b meanwhile is an exclusive from his live set. here he strips the classic >over & over< to the minimum before sliding into the original groove only for a moment, only to continue to ride the rhythm again. proper club business

incredible album from i-f. including classics such as the hit >space invaders are smoking grass<, >i do because i couldnt care less< and >playstation n°1<. classic album finally back in stock. this one never goes out of style! must have.

liquid blasted, russias most famous hardcore producer, delivers a bad ass industrial tekno ep sure to twist your head and crash your speakers. these 4 tracks deliver great production and fierce beats to mix into hardcore & tekno so dont miss out on this underground gem.

“i didn’t know of aybee until recently after i met him through fred p. fred had played this classic track called “build her” by delaroix which turns out to be aybee! this ep bridges the gap between afro house and tech house. guaranteed to move the crowd!” jus-ed

dubbed out house rework of a famous melancholic uk band!

100% pure is amsterdams longest running techno label, co-founded in 1993 by dylan hermelijn aka 2000 and one & sandy huner and now run solely by dylan.
for 100% pures 57th release we welcome back amsterdams talented techno duo – gimikk, aka daniel mumbling sanchez and e-contact (eelco augustijn).
accomplish sickness is a masterful mix of dirty scraping techno treats propelled by catchy muted djembe rhythms and surprising vocal snippets. you are going to love this infectious melody – it wont make you sick but you will be dying to dance to it.
while on the flip you will find paco osuna taken time out of his dj residency at barcelonas club4 to produce this thumpingly clever remix thats (100%) pure dancefloor.

the most valuable and rarest italo disco 7inch of all time gets a timely reissue on dj friendly 12inch vinyl for all you disco beardos out there. this release has going for silly money - £300 plus - but what you have here is a remastered, cleaned up version of this quirky funk disco nugget that sounds as dope today as when it was released back in france in 1978. limited to 500 copies. pick this up while you can.

after a long break mainakustik is back with a strong two tracker produced by matt brown from italy. he is already known from various releases on imprints like einmaleins, below, …
side a >balancoire< is a great starter with groovy trumpet samples and warm driving basslines. side b >moneare< comes around with a hypnotic percusion rhythm. after a while the bassdrum gets in and the dancers freak out. just try it - 2 excellent functional tools for the dancefloors!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

daniel steinberg and front room are like annoyingly sexy couples that you end up in the next hotel room to on a company business trip. except of course daniel steinberg and front room dont actually have sex they just literally make sweet music together. the spiciness continues with the preacherman ep, daniel steinbergs fifth release on front room recordings. punctuated with the exotic and the kind of twists, bumps and energy that only steinberg can provide, preacherman kicks off a cacophony of funk fuelled head nodding to get any party pulsating. “you need love” with its in-your-face vocal, huge beat and sleazy decelerating breakdown has future classic written all over it. the long awaited tiefschwarz remix of “lucky sauce” also sees the light of day here in full effect and breathes a new layer of ‘wow’over a release that is only really just beginning to simmer down from its release in june. wonked out groover who stopped the music rounds proceedings off nicely on an ep that is audio proof that the stroke of his talent only gets more precise and dazzling with every release. daniel steinbergs releases are supported by the likes of ricardo villalobos, luciano, claude vonstroke and richie hawtin to name drop a few. watch this space for daniel steinbergs artist album coming out on front room in 2010

circus company welcomes a new artist on the label: the homewreckers. named after a track by southern soul legend sam dees, the production collective from germany has been moving and breaking new ground between detroit techno, abstract funk and melancholic disco music since 1995. their debut album amercian ruhr has been released on unique records in 2008 and creates an absolutely distinctive sound which seems to come straight out of a from a feverish dream populated by the ghostlike figures of larry graham, juan atkins, frank hutter, bernard edwards, erik b or al green. the not my business ep perfectly shows how the homewreckers flow on these two original tracks. you feel the funk, you feel detroit and you feel a deep and unique sense of music. cherry on the cake, you got a remix from san francisco based artist dave aju who is back on the label after his much acclaimed album open wide released in 2008. not my business isnt their first shoot on the label as they were already part of last months snuggle & slap circus company compilation with a brilliant live-version of chicago urban blues.

upon yous first release of black gold in 2010 is a compilation shared by the cheapers, mathias mesteno, channel x and onno. the cheapers have given us a track that is slightly more technoide than what we have become used to, with an absolute bass beast called madame sans merci on a1. mr. mesteno has given us the second part of tante dunkel (once again paying homage to one of copenhagens most illustrious night creatures) with this house track. the first part was released on our last home sweet home compilation. after flipping the vinyl, b1 unveils channel xs last offering before releasing their debut album on stil vor talent”in the beginning of 2010, making us all the more pleased about this dependable club track. b2 is reserved for our dutch colleague onnos kicking tech house track that shows that upon you know how to start out the new year in the right way

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

2009 re-release of this classic cypress hill album, including >i wanna get high<, >insane in the brain<, >hits from the bong< and many more. one fat timeless joint on double 180gr vinyl!

this is the second release by antonelli for dreck after his boogie ep in 2007. in classic antonelli working method the material here is made without a cpu, just with hardware. this gives the tracks a warm feel and a sense of an older mode of production, but nevertheless the two tracks are fully rooted in the now! stefan schwander starts out with the idea of the bassline as a genre-defining element in music. he then works from this central idea towards an euphoric and a reductive version, resulting in the two tracks here at hand, >disconnected< on the a side, and >operatore< on the b side. they both feature a beautifully analogue disco (if not moroder) bassline, build up continuously without ever meandering or loosing direction - very straight and pushing the dancefloor forward with >operatore< being the more bouncy and carefree track of the two.